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- Actress
- Soundtrack
Patricia Neal, the Oscar and Tony Award-winning actress, was born Patsy Louise Neal in Packard, Kentucky, where her father managed a coal mine and her mother was the daughter of the town doctor. She grew up in Knoxville, Tennessee, where she attended high school. She was first bit by the acting bug at the age of 10, after attending an evening of monologues at a Methodist church. She subsequently wrote a letter to Santa Claus, telling him, "What I want for Christmas is to study dramatics". She won the Tennessee State Award for dramatic reading while she was in high school.
She apprenticed at the Barter Theater in Abingdon, Virginia, when she was 16-years-old, between her junior and senior years in high school. After studying drama for two years at Northwestern University, she headed to New York City and landed the job as an understudy in The Voice of the Turtle (1947). It was the producer of the play that had her change her name from Patsy Louise to Patricia. After replacing Vivian Vance in the touring company of "Turtle", she won a role in a play that closed in Boston and then appeared in summer stock. She won the role of the teenage "Regina" in Lillian Hellman's play, Another Part of the Forest (1948), for which she won a Tony Award in 1947. Subsequently, she signed a seven-year contract with Warner Bros.
In the first part of her film career, her most impressive roles were in The Fountainhead (1949), opposite Gary Cooper, with whom she had three-year-long love affair, and in director Robert Wise's sci-fi classic, The Day the Earth Stood Still (1951), which she made at 20th Century-Fox. Warners hadn't been thrilled with her and let her go before her contract was up, so she signed with Fox. With her film career stagnating, she returned to Broadway and achieved the success that eluded her in films, appearing in the revival of Hellman's play, The Children's Hour (1961), in 1952. She met and married writer, Roald Dahl, in 1953, and they would have five children in 30 years of marriage.
In 1957, she had one of her finest roles in Elia Kazan's parable about the threat of mass-media demagoguery and home-grown fascism in A Face in the Crowd (1957). Before she had appeared in the movie, Neal had taken over the role of "Maggie" in Tennessee Williams' Cat on a Hot Tin Roof (1958), the Broadway smash that had been directed by Kazan. Returning to the stage, she appeared in the London production of Williams' Suddenly, Last Summer (1959) and co-starred with Anne Bancroft in the Broadway production of The Miracle Worker (1962).
After appearing in Breakfast at Tiffany's (1961), she had what was arguably her finest role, as Alma the housekeeper, in Hud (1963) opposite Paul Newman. The film was a hit and Neal won the Best Actress Oscar. In 1965, she suffered a series of strokes that nearly killed her. She was filming John Ford's film, 7 Women (1965), at the time, and had to be replaced by Anne Bancroft (who would later take a role she turned down, that of "Mrs. Robinson" in The Graduate (1967)). Neal was pregnant at the time.
She underwent a seven-hour operation on her brain and survived, later delivering her fifth child. She underwent rehabilitation supervised by her husband. She had turned down The Graduate (1967) as she had not recovered fully from her stroke. When she returned to the screen, in 1968 in The Subject Was Roses (1968), she suffered from memory problems. According to her director, Ulu Grosbard, "The memory element was the uncertain one. But when we started to shoot, she hit her top level. She really rises to the challenge. She has great range, even more now than before".
She received an Oscar nomination for her work. Subsequently, new acting roles equal to her talent were sparse. She did receive three Emmy nominations, the first for originating the role of "Olivia Walton" in the 1971 TV movie The Homecoming: A Christmas Story (1971), that gave birth to the TV show The Waltons (1972).
Patricia Neal died on August 9, 2010 in Edgarton, Massachusetts from lung cancer. She was 84 years old.- Actor
- Producer
- Director
Anthony Quinn was born Antonio Rodolfo Quinn Oaxaca (some sources indicate Manuel Antonio Rodolfo Quinn Oaxaca) on April 21, 1915, in Chihuahua, Mexico, to Manuela (Oaxaca) and Francisco Quinn, who became an assistant cameraman at a Los Angeles (CA) film studio. His paternal grandfather was Irish, and the rest of his family was Mexican.
After starting life in extremely modest circumstances in Mexico, his family moved to Los Angeles, where he grew up in the Boyle Heights and Echo Park neighborhoods. He played in the band of evangelist Aimee Semple McPherson as a youth and as a deputy preacher. He attended Polytechnic High School and later Belmont High, but eventually dropped out. The young Quinn boxed (which stood him in good stead as a stage actor, when he played Stanley Kowalski in "A Streetcar Named Desire" to rave reviews in Chicago), then later studied architecture under Frank Lloyd Wright at the great architect's studio, Taliesin, in Arizona. Quinn was close to Wright, who encouraged him when he decided to give acting a try. Made his credited film debut in Parole! (1936). After a brief apprenticeship on stage, Quinn hit Hollywood in 1936 and picked up a variety of small roles in several films at Paramount, including an Indian warrior in The Plainsman (1936), which was directed by the man who later became his father-in-law, Cecil B. DeMille.
As a contract player at Paramount, Quinn's roles were mainly ethnic types, such as an Arab chieftain in the Bing Crosby-Bob Hope comedy, Road to Morocco (1942). As a Mexican national (he did not become an American citizen until 1947), he was exempt from the draft. With many other actors in military service during WWII, he was able to move up into better supporting roles. He married DeMille's daughter Katherine DeMille, which afforded him entrance to the top circles of Hollywood society. He became disenchanted with his career and did not renew his Paramount contract despite the advice of others, including his father-in-law, with whom he did not get along (whom Quinn reportedly felt had never accepted him due to his Mexican roots; the two men were also on opposite ends of the political spectrum) but they eventually were able to develop a civil relationship. Quinn returned to the stage to hone his craft. His portrayal of Stanley Kowalski in "A Streetcar Named Desire" in Chicago and on Broadway (where he replaced the legendary Marlon Brando, who is forever associated with the role) made his reputation and boosted his film career when he returned to the movies.
Brando and Elia Kazan, who directed "Streetcar" on Broadway and on film (A Streetcar Named Desire (1951)), were crucial to Quinn's future success. Kazan, knowing the two were potential rivals due to their acclaimed portrayals of Kowalski, cast Quinn as Brando's brother in his biographical film of Mexican revolutionary Emiliano Zapata, Viva Zapata! (1952). Quinn won the Best Supporting Actor Academy Award for 1952, making him the first Mexican-American to win an Oscar. It was not to be his lone appearance in the winner's circle: he won his second Supporting Actor Oscar in 1957 for his portrayal of Paul Gauguin in Vincente Minnelli's biographical film of Vincent van Gogh, Lust for Life (1956), opposite Kirk Douglas. Over the next decade Quinn lived in Italy and became a major figure in world cinema, as many studios shot films in Italy to take advantage of the lower costs ("runaway production" had battered the industry since its beginnings in the New York/New Jersey area in the 1910s). He appeared in several Italian films, giving one of his greatest performances as the circus strongman who brutalizes the sweet soul played by Giulietta Masina in her husband Federico Fellini's masterpiece The Road (1954). He met his second wife, Jolanda Addolori, a wardrobe assistant, while he was in Rome filming Barabbas (1961).
Alternating between Europe and Hollywood, Quinn built his reputation and entered the front rank of character actors and character leads. He received his third Oscar nomination (and first for Best Actor) for George Cukor's Wild Is the Wind (1957). He played a Greek resistance fighter against the Nazi occupation in the monster hit The Guns of Navarone (1961) and received kudos for his portrayal of a once-great boxer on his way down in Rod Serling's Requiem for a Heavyweight (1962). He went back to playing ethnic roles, such as an Arab warlord in David Lean's masterpiece Lawrence of Arabia (1962), and he played the eponymous lead in the "sword-and-sandal" blockbuster Barabbas (1961). Two years later, he reached the zenith of his career, playing Zorba the Greek in the film of the same name (a.k.a. Zorba the Greek (1964)), which brought him his fourth, and last, Oscar nomination as Best Actor. The 1960s were kind to him: he played character leads in such major films as The Shoes of the Fisherman (1968) and The Secret of Santa Vittoria (1969). However, his appearance in the title role in the film adaptation of John Fowles' novel, The Magus (1968), did nothing to save the film, which was one of that decade's notorious turkeys.
In the 1960s, Quinn told Life magazine that he would fight against typecasting. Unfortunately, the following decade saw him slip back into playing ethnic types again, in such critical bombs as The Greek Tycoon (1978). He starred as the Hispanic mayor of a southwestern city on the short-lived television series The Man and the City (1971), but his career lost its momentum during the 1970s. Aside from playing a thinly disguised Aristotle Onassis in the cinematic roman-a-clef The Greek Tycoon (1978), his other major roles of the decade were as Hamza in the controversial The Message (1976) (a.k.a. "Mohammad, Messenger of God"); as the Italian patriarch in The Inheritance (1976); yet another Arab in Caravans (1978); and as a Mexican patriarch in The Children of Sanchez (1978). In 1983, he reprised his most famous role, Zorba the Greek, on Broadway in the revival of the musical "Zorba" for 362 performances (opposite Lila Kedrova, who had also appeared in the film, and won an Oscar for Best Supporting Actress for her performance). His career slowed during the 1990s but he continued to work steadily in films and television, including an appearance with frequent film co-star Maureen O'Hara in Only the Lonely (1991).
Quinn lived out the latter years of his life in Bristol, Rhode Island, where he spent most of his time painting and sculpting. Beginning in 1982, he held numerous major exhibitions in cities such as Vienna, Paris, and Seoul. He died in a hospital in Boston at age 86 from pneumonia and respiratory failure linked to his battle with throat cancer.- Actress
- Writer
- Soundtrack
When Ruth Gordon convinced her father, a sea captain, to let her pursue acting she came to New York and studied at the American Academy of Dramatic Arts. She acted in a few silents made at Fort Lee, New Jersey, in 1915. She made her Broadway debut in "Peter Pan" as Nibs the same year. The next 20 years she spent on stage, even appearing at the Old Vic in London in the successful run of "The Country Wife" in 1936. Nearly 25 years after her film debut, she returned to movies briefly. Her most memorable role during this period in the early 1940s was as Mary Todd in Abe Lincoln in Illinois (1940).
She left Hollywood to return to theater. Back in New York, she married Garson Kanin in 1942 (her first husband Gregory Kelly, a stage actor, died in 1927). She began writing plays, and, later, her husband and she collaborated on screenplays for Katharine Hepburn and Spencer Tracy, whose screen relationship was modeled on their own marriage. She returned to film acting during the 1960s. It is during this last period of her career that she became a movie star, with memorable roles in Rosemary's Baby (1968) and Harold and Maude (1971). She wrote several books during the mid-1970s and appeared on TV. She won an Emmy for her role on Taxi (1978) in 1979.- Actor
- Additional Crew
- Soundtrack
Handsome, chisel-jawed character actor Kevin McCarthy appeared in nearly 100 movies in a career that spanned seven decades. He also had some starring roles, most notably the horror cult classic Invasion of the Body Snatchers (1956). He played the disillusioned son Biff Loman in the 1951 screen adaptation of Arthur Miller's classic Death of a Salesman (1951), for which he was nominated for a Best Supporting Actor Oscar and won the Golden Globe Award for most promising newcomer (male).
He is the younger brother of the late author Mary McCarthy and distant cousin of former U.S. Senator and presidential candidate Eugene McCarthy.
McCarthy was orphaned at the age of four when both his parents died in the great flu epidemic of 1918. He was raised by his father's parents in Minneapolis, Minnesota, and later by an uncle and aunt. He graduated from Campion Jesuit High School in Prairie du Chien, Wisconsin, in 1932. He attended the School of Foreign Service at Georgetown University, Washington, DC, in 1933, intending to enter into the diplomatic field. He also attended the University of Minnesota, Minneapolis, in 1936 and the Actors Studio New York, New York. He had roles in two short-lived TV series: The Survivors (1969), with Lana Turner, and Flamingo Road (1980) as Claude Weldon, the father of the character played by Morgan Fairchild.
The stage-trained McCarthy frequently appeared on Broadway. He starred as Jerry in "Two for the Seesaw" (1959) and as Van Ackerman in "Advise and Consent" (1960). He also played President Harry S. Truman in the one-man show "Give 'Em Hell, Harry!"
McCarthy showed no signs of retiring as late as June 2007. McCarthy acted in the film The Ghastly Love of Johnny X (2012), playing the role of the Grand Inquisitor, at age 93, which was finally released in 2011. He died of pneumonia on September 11, 2010.- Writer
- Actress
- Director
Whitney Blake was born on 20 February 1926 in Eagle Rock, California, USA. She was a writer and actress, known for Hazel (1961), My Gun Is Quick (1957) and Mannix (1967). She was married to Allan Manings, Jack Fields and John Thomas Baxter Jr.. She died on 28 September 2002 in Edgartown, Massachusetts, USA.- Actress
- Editorial Department
- Soundtrack
Actress and entertainer Pat Carroll played everything from chatterbox wives to wicked stepsisters on TV, and from Gertrude Stein to Shakespeare's Falstaff on stage. Even at 80 plus, the plucky comedienne showed no sign of stopping any time The riotous Pat Carroll was born in Shreveport, Louisiana in 1927, the daughter of Angela (Meagher) and Maurice Clifton Carroll. Her family moved to Los Angeles when Pat was five, and there began performing in local stage productions. She graduated from Hollywood's Immaculate Heart High School, an all-girls Catholic school, then attended Immaculate College, also in Los Angeles, and Catholic University of America.
Following her college graduation, she began performing comedy in nightclubs and gained early experience with appearances in resort areas. Her stage debut in 1947 with a role in "The Goose and the Gander" starring Gloria Swanson led to hundreds of stock roles. She made her off-Broadway debut in the play "Come What May" in 1950. Also a talented singer, she earned a Tony nomination for her Broadway work in the singing revue "Catch a Star" in 1955, and then enjoyed a number of brash showcases in such musicals as "On the Town," "Once Upon a Mattress" and "The Unsinkable Molly Brown".
It was, however, the "golden age" of TV that truly took advantage of Pat's adroit talents. An initial "second banana" regular on the variety programs The Red Buttons Show (1952) and The Saturday Night Revue (1953), she copped an Emmy award for her work on Caesar's Hour (1954) as Howard Morris' wife and earned fine reviews from her recurring role on the sitcom The Danny Thomas Show (1953) playing Bunny Halper, the pert and plucky wife of Danny Thomas' nightclub manager Charlie Halper (Sid Melton).
Pat's down-to-earth demeanor, chummy disposition and hearty, infectious laugh made her a popular guest on all the major talkfests and a welcomed panelist on such game shows as "You Don't Say," "To Tell the Truth," "I've Got a Secret" and "Password". In 1965, she co-starred on TV as one of the wicked stepsisters in the endearing Rodgers and Hammerstein's musical Cinderella (1965), which starred Lesley Ann Warren as the princess-to-be. In later years she won recurring/regular roles on the last season of Too Close for Comfort (1980) [retitled in 1986 as "The Ted Knight Show"] and the Suzanne Somers' sitcom She's the Sheriff (1987).
As a character actress, the cropped-blond comedienne never made much of a dent in film, which included supporting roles in With Six You Get Eggroll (1968) with Doris Day and The Brothers O'Toole (1973) with John Astin. In the late 1970s her career received a huge shot in the arm with the award-winning, one-woman show "Gertrude Stein, Gertrude Stein, Gertrude Stein", which she also produced and won multiple theater awards, including the Outer Critics Circle and Drama Desk trophies. A complete departure from her usual comedy antics, audiences saw a burgeoning dramatic actress in the making. Taking the show on the road for four years, she also won a Grammy for her recorded version of the performance in 1981. She then returned to Broadway after thirty years to appear in the play "Dancing in the End Zone" (1985).
Pat surprised her fans by continuing vigorously in this vein. She began taking on Shakespearean roles and earning critical acclaim. For her interpretations of Sir John Falstaff in "The Merry Wives of Windsor" and the Nurse in "Romeo and Juliet" she won bookend Helen Hayes awards. A life member of The Actors Studio, other challenging stage roles over the years have included Volpone, Mother Courage (another Helen Hayes award), the Stage Manager in "Our Town" and the Chorus in a Broadway revival of "Electra".
Still interested in tickling the funny bone on occasion, she performed in a number of adaptations of the wacky musical comedy "Nunsense" playing the Reverend Mother. If this weren't enough, she extended herself into directing, helming a musical version of "Alice in Wonderland" for The Kennedy Center, as well as productions of "Private Lives and "The Supporting Cast".
With the late 1980s, Pat became a voice-over favorite on numerous animated programs -- notably for Disney as the sea witch Ursula in The Little Mermaid (1989) and other voices in A Goofy Movie (1995). Into the millennium, the feisty character lady still gave voice life to many Disney related characters and in video games and special projects. Some elderly film work includes Outside Sales (2006), Freedom Writers (2007), Nancy Drew (2007), Bridesmaids (2011) and BFFs (2014). She also guested on the drama series ER (1994) and provided the voice of Old Lady Crowley in the Disney TV animated series Rapunzel's Tangled Adventure (2017).
She had three children (oldest son Sean and daughters Kerry and Tara) by late husband Lee Karsian, a one-time manager and talent agent. Tara Karsian is a character actress from stage, film and TV. Kerry Karsian is a casting director.- Actress
- Soundtrack
Priscilla Lane attended the Eagin School of Dramatic Arts in New York before she began touring with her sisters in the Fred Waring and the Pennsylvanians Dance Band. She was a popular singer with her sisters and, after 5 years, she was signed to a Hollywood contract with Warner Brothers in 1937. Her first film was Varsity Show (1937) where she had the hard task of portraying a singer with the Fred Waring Band. Priscilla was to play the nice girl against the temperamental star played by her sister Rosemary Lane. Over the years, Priscilla would play an assortment of girlfriends, daughters and fiancees. She would team with her two sisters, Rosemary Lane and Lola Lane, to make a series of dramas beginning with the film Four Daughters (1938). That film would be the one that made John Garfield a star. In most of her films, all Priscilla had to do was to look attractive and give a good supporting performance. Priscilla would also co-star with Wayne Morris in three 1938 releases. In The Roaring Twenties (1939), she would play the girlfriend of James Cagney. In Arsenic and Old Lace (1944), which was released 3 years after it was filmed, she would play the fiancee of Cary Grant. When Alfred Hitchcock was unable to get Barbara Stanwyck, he cast Priscilla in Saboteur (1942) where she was on the run with the hero. By that time, her movie career was almost finished and she would appear in just a couple of films over the next five years before retiring in 1948.- Actor
- Soundtrack
Character actor Anthony James was born on July 22, 1942 in Myrtle Beach, South Carolina. Unusually tall (6' 6½) and lanky, with a rough, pockmarked face, a lean, stringy build, and an extremely intense screen presence, James was often cast in Westerns as scary, sleazy villains. He was especially memorable as the racist diner counterman in the outstanding In the Heat of the Night (1967). Other noteworthy parts include a gay hitchhiker in the cult classic Vanishing Point (1971), a priest in The Culpepper Cattle Co. (1972), an outlaw in High Plains Drifter (1973), a deranged psycho in The Teacher (1974), the chauffeur from hell in the chiller Burnt Offerings (1976), and the vicious leader of a gang of ferocious barbarians in the science fiction film Ravagers (1979).
James was hilarious in a rare change-of-pace good guy role as a heroic cannibal (!) in the post-nuke sci-fi romp World Gone Wild (1987), and also parodying his evil persona in The Naked Gun 2½: The Smell of Fear (1991). Among the many television shows in which he appeared in guest roles were Married... with Children (1987), Beauty and the Beast (1987), Star Trek: The Next Generation (1987), Simon & Simon (1981), The A-Team (1983), Riptide (1984), The Fall Guy (1981), Hunter (1984), Buck Rogers in the 25th Century (1979), Quincy M.E. (1976), Charlie's Angels (1976), Vega$ (1978), Starsky and Hutch (1975), S.W.A.T. (1975), Ironside (1967), Hawaii Five-O (1968), Bonanza (1959), Gunsmoke (1955) and The Big Valley (1965).
James's last film appearance to date was as the owner of a seedy bordello in Clint Eastwood's Unforgiven (1992). After quitting acting in the early 1990s, he pursued a successful career as an artist. His paintings have been exhibited in galleries in such major cities as New York, Boston and Miami.- Actor
- Writer
- Soundtrack
Born Charles Harvey Goddard, Mark Goddard was best known for his role as the feisty, combative Major Don West in the cult TV series Lost in Space (1965). The youngest of five siblings, he was born in Lowell, Massachusetts, but grew up in Scituate, raised as a Catholic. Though excelling in sports, Goddard gave up early ambitions of a professional basketball career. Following advice from the head of the dramatic society of the College of the Holy Cross, he attended the American Academy of Dramatic Arts in Manhattan.
Two years later, he relocated to Los Angeles and, before long, received offers to act in television. His first recurring role on the small screen was as the lead character's deputy in the western series Johnny Ringo (1959). He replaced Lee Farr as one of The Detectives (1959), portraying police officer Chris Ballard in 64 episodes.
Goddard made guest appearances in The Beverly Hillbillies (1962), The Virginian (1962), Gunsmoke (1955) and Perry Mason (1957) and co-starred alongside John McGiver in the short-lived sitcom Many Happy Returns (1964), before signing on as one of the crew in Irwin Allen 's Lost in Space. From season two, his character projected increasing antagonism towards the nefarious Dr. Zachary Smith. After that series had run its course, Goddard remained a frequent guest TV star on popular shows like Mod Squad (1968) and The Streets of San Francisco (1972). He had recurring stints on the soaps One Life to Live (1968) and General Hospital (1963) and made occasional forays into film acting, most notably in the off-beat horror flick Blue Sunshine (1977) (as a drug dealer turned politician).
The following year, he made his sole Broadway appearance in the musical The Act, opposite Liza Minnelli and Barry Nelson. Well-received, it ran for 233 performances between October 1977 and July 1978. Goddard retired from acting in 2015.
In between acting, Goddard often sidelined working with children, including at the Sloan-Kettering Cancer Center in New York City. Having graduated with a Master's Degree in education from Bridgewater State College in Massachusetts, he eventually pursued a new vocation from 1991 as a special education teacher.
Goddard published his memoirs, "To Space and Back", in 2009. He was married three times. His second wife (divorced) was the actress Susan Anspach. His daughter is the producer Melissa Goddard .
Mark Goddard died of pulmonary fibrosis on October 10, 2023 at the age of 87.- Actress
- Soundtrack
One of the finest classical and contemporary leading ladies ever to grace the 20th century American stage, five-time Tony Award winner Julie Harris was rather remote and reserved on camera, finding her true glow in front of the theatre lights. The freckled, red-haired actress not only was nominated for a whopping total of ten Tony awards and was a Sarah Siddons Award recipient for her work on the Chicago stage, she also earned awards in other areas of the entertainment industry, including three Emmys (of 11 nominations), a Grammy and an Academy Award nomination. (Note: Harris would hold the record for the most competitive Tony performance wins (five) for a couple of decades. Angela Lansbury finally caught up with her in 2009 and singer/actress Audra McDonald surpassed them both in 2014 with six). While Harris certainly lacked the buoyancy and glamor usually associated with being a movie star, she certainly made an impact in the early to mid 1950s with three iconic leading roles, two of which she resurrected from the Broadway stage. After that she pretty much deserted film.
Born Julie Ann Harris on December 2, 1925, in Grosse Pointe, Michigan, she was the daughter of William Pickett, an investment banker, and Elsie L. (née Smith) Harris, a nurse. Graduating from Grosse Pointe Country Day School, an early interest in the performance arts was encouraged by her family. Moving to New York City, Julie attended The Hewitt School and later trained as a teenager at the Perry-Mansfield Performing Arts School & Camp in Colorado. A mentor there, Charlotte Perry, saw great hope for young Julie and was insistent that her protégé study at the Yale School of Drama. Julie did just that -- for about a year.
Also trained at the New York School of Drama and one of the earliest members of the Acting Studio, young Julie made her Broadway debut in 1945 at age 19 in the comedy "It's a Gift". Despite its lukewarm reception, the demure, diminutive (5'3"), and delicate-looking thespian moved on. She apprenticed on Broadway for the next few years with ensemble parts in "King Henry IV, Part II" (1946), "Oedipus Rex" (1946), "The Playboy of the Western World" (1946), "Alice in Wonderland" (as the White Rabbit) (1947), and Macbeth" (1948).
More prominent roles came her way in such short-lived Broadway plays as "Sundown Beach" (1948), "The Young and Fair" (1948), "Magnolia Alley" (1949) and "Montserrat (1949). This led to her star-making theatre role at age 24 as sensitive 12-year-old tomboy Frankie Addams in the classic drama "The Member of the Wedding" (1950) opposite veteran actress Ethel Waters and based on the Carson McCullers novel. The play ran for over a year. The Member of the Wedding (1952) would eventually be transferred to film and, despite being untried talents on film, director Fred Zinnemann wisely included both Harris and young Brandon De Wilde (as young John Henry) to reenact their stage triumphs along with Ms. Waters. Harris, at 27, received her first and only Academy Award nomination as the coming-of-age Georgian tomboy.
It wasn't long before Julie's exceptional range and power won noticed nationwide. In 1952, she received her first "Best Actress" Tony Award for creating the larger-than-life role of Sally Bowles in "I Am a Camera," the stage version of one of Christopher Isherwood's Berlin stories ("Goodbye to Berlin" (1939). (Note: In the 1960s, Isherwood's play would be transformed successfully into the Broadway musical "Cabaret".) Harris again was invited to repeat her stage role in I Am a Camera (1955) with Laurence Harvey and Shelley Winters, winning the BAFTA "Best Foreign Actress" Award. That same year Harris starred opposite the highly emotive James Dean (she had top billing) as his love interest in the classic film East of Eden (1955), directed by Elia Kazan from the John Steinbeck novel. Strangely, Julie's brilliance in the role of Abra was completely overlooked come Oscar time...a terrible miscarriage of justice in this author's view.
After this vivid film exposure, Julie's love for the theatre completely dominated her career focus. She continued to increase her Broadway prestige with such plays as "Mademoiselle Colombe" (title role) (1954), "The Lark" (Tony Award: as Joan of Arc) (1955), "The Country Wife" (1957), "The Warm Peninsula" (1959), "Little Moon Over Alban" (1960) (which she took to Emmy-winning TV), "A Shot in the Dark" (1961), "Ready When Your Are, C.B.!" (1964), "Skyscraper" (1965), "Forty Carats" (Tony Award) (1968), "And Miss Reardon Drinks a Little" ) (1971), "The Au Pair Man" (1973) and "In Praise of Love" (1974). In between she gave stellar performances on TV with her Joan of Arc in The Lark (1957); title role in Johnny Belinda (1958); Nora in Ibsen's A Doll's House (1959); Catherine Sloper in The Heiress (1961); title role in Victoria Regina (1961) (for which received an Emmy award); Eliza Doolittle in Pygmalion (1963), and title role in Anastasia (1967).Be
In later years Harris reaped praises and honors for her awe-inspiring one-woman touring shows based on the lives of certain distaff historical figureheads. Her magnificently tormented, Tony-winning "First Lady" Mary Lincoln in "The Last of Mrs. Lincoln" (1972) was the first to be seen on stage and TV, followed by another Tony (and Grammy) Award-winning performance as poetess Emily Dickinson in "The Belle of Amherst" (1976) (directed by close friend Charles Nelson Reilly, as well as her early 1980s solo portrait of author Charlotte Brontë in "Bronte," which started out as a radio play. Julie was now placed among the theatre's luminous "ruling class" alongside legendary veterans Helen Hayes, Katharine Cornell and Judith Anderson.
As time wore on, Harris would become equally respected on film and TV for her portrayals of over-the-edge neurotics, wallflowers and eccentric maiden aunt types as witnessed by her co-starring roles in the films The Haunting (1963), Hamlet (1964) (as Ophelia), Harper (1966), You're a Big Boy Now (1966), Reflections in a Golden Eye (1967), The Bell Jar (1979), and the TV-movies How Awful About Allan (1970) and Home for the Holidays (1972). Perhaps a step down performance wise, the veteran actress, after a period of ill health, became a household name with her regular series work as Lilimae on the TV soap Knots Landing (1979).
At age 60, Harris continued to impress on Broadway with her 1990's versions of Amanda Wingfield in "The Glass Menagerie" and Fonsia Dorsey in "The Gin Game" for which she received her tenth and final Tony nomination. She also toured successfully with a production of "Lettice and Lovage". Unlike many other actors whose film roles disintegrated with appearances in bottom-of-the-barrel lowbudgets, Julie's final two supporting films roles were in two nicely constructed period romantic comedies -- The Golden Boys (2008) and The Lightkeepers (2009).
Ill health dogged Julie's later years (she battled breast cancer in 1981 and suffered two strokes -- one in 2001 (while performing in the Chicago play "Fossils") and again in 2010). Nevertheless, she continued to work almost until the end, including narrating five historical documentaries and giving Emmy-winning voice to such women suffragettes as Susan B. Anthony and Elizabeth Cady Stanton.
Married and divorced three times, Julie had one son by her second marriage -- Peter, who became a theatre critic. She also spent time enjoying the benefits of receiving special awards and honors for her full body of work. Among these, she was inducted into the American Theatre Hall of Fame in 1979, was awarded the National Medal of Arts in 1994, received a "Special Lifetime Achievement" Tony Award in 2002 and was a 2005 Kennedy Center honoree.
Harris died on August 24, 2013, of congestive heart failure at her home in West Chatham, Massachusetts. She was 87.- Actor
- Director
Genial, pleasant-voiced character actor Paul Benedict was born in New Mexico on September 17, 1938, and made hosts of stage, film and TV appearances in a career lasting five decades. The son of a doctor, he was diagnosed with acromegaly by an endocrinologist who happened to catch the nascent actor in a stage play. He underwent medical treatment that successfully prevented the advancing of the disease. Following military service with the Marine Corps., Paul went on to a highly successful entertainment career using his spade-sized jaw and large nose often to humorous effect.
Following his graduation from Suffolk University, Benedict began acting at the Theatre Company of Boston and performed with such up-and-coming hopefuls as Robert De Niro, Dustin Hoffman and Al Pacino before moving to New York in 1968. Decades laterk, Pacino remembered his old colleague when he revived Eugene O'Neill's one-act, two-person drama "Hughie" on Broadway in 1996. Paul was cast as the hotel night clerk who listens patiently and endlessly to the forlorn ramblings of Pacino's hustler character. Paul made his unofficial Broadway debut in 1968 with "Leda Had a Little Swan," but it closed just before it officially opened. He then went on to appear in "Little Murders" (1969), "The White House Murder Case" (1970) and "Bad Habits" (1974).
Benedict began his on-camera career with the little seen western film spoof The Double-Barrelled Detective Story (1965) and then was seen in another spoof, the political satire The Virgin President (1968). He continued in a quirky, humorous vein in Norman Lear's Cold Turkey (1971), as well as Taking Off (1971), They Might Be Giants (1971), The Gang That Couldn't Shoot Straight (1971), Deadhead Miles (1972), Up the Sandbox (1972) and The Front Page (1974). Lear took a liking to Paul and began using him as a guest on some of his classic TV comedies, including "Maude" and "All in the Family," before casting him as Harry Bentley, the polite but put-upon white Englishman next door neighbor to affluent black couple Isabel Sanford and Sherman Hemsley on the decade-long comedy series The Jeffersons (1975). It remains his best known oddball comedy role. Another familiar character would be The Mad Painter on the long-running children's PBS show Sesame Street (1969).
He played an fascinating assortment of erudite, toothy and tweedy characters on film, one of his best remembered being that of Reverend Lindquist in Jeremiah Johnson (1972). He also played the emissary of the governor in The Front Page (1974), a slave trader in Mandingo (1975), an untalented Shakespearean stage director in The Goodbye Girl (1977); an eccentric butler in The Man with Two Brains (1983); another butler in Arthur 2: On the Rocks (1988); a business college professor in Cocktail (1988); a warden in The Chair (1988); a film school teacher in The Freshman (1990); an irritated judge in The Addams Family (1991); and a professor in Isn't She Great (2000).
Benedict made an impression as a stage director as well, including "Any Given Day," the original production of "Frankie and Johnny in the Clair de Lune," and the Obie-winning "The Kathy and Mo Show." His final Broadway appearance was as Mayor Shinn in the 2000 revival of "The Music Man" and he took his final curtain call with Pinter's "No Man's Land" at the American Repertory Theatre in Cambridge, Massachusetts.
On TV, Paul made appearances on some of TV's most popular shows, including "Sweepstakes," "Mama Malone," "Murder, She Wrote," "The New Twilight Zone," "A Different World," "Tales from the Crypt," "Seinfeld" and "The Drew Carey Show." On film, Paul became a stock player for Christopher Guest and his hilarious "mockumentary" features -- This Is Spinal Tap (1984), Waiting for Guffman (1996) (as the long-awaited guest) and A Mighty Wind (2003).
Unmarried, the 70-year-old actor died of natural causes on December 1, 2008, at his home in Martha's Vineyard, Massachusetts.- Actress
- Soundtrack
Academy Award-winner Maureen Stapleton was born June 21, 1925 in Troy, New York, to Irene (née Walsh) and John P. Stapleton. Her family was of Irish descent. Maureen moved to New York City at the age of eighteen and did modeling to pay the bills. Already a Tony Award-winner, she made her Academy Award-nominated film debut in Lonelyhearts (1958) supporting four-time Academy Award-nominee Montgomery Clift, and Myrna Loy in Lonelyhearts (1958). Maureen was was nominated for an Oscar again for her performance in Airport (1970). She played the wife of D. O. Guerrero (played by Academy Award-winner Van Heflin). Eight years later she went on to earn a third Oscar nomination for her performance as Diane Keaton, Kristen Griffith, and Mary Beth Hurt's stepmother Pearl, in the Woody Allen drama Interiors (1978). Apparently, four times worked as a charm when Maureen took the Oscar home for her performance in which she portrayed the Lithuanian-born anarchist Emma Goldman in Warren Beatty's Reds (1981).- Actor
- Stunts
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Actor and stuntman Robert Tessier was born of Algonquian Indian descent on June 2, 1934 in Lowell, Massachusetts. He specialized in tough, menacing villains throughout American cinema of the 1970s and 1980s. Tessier had served time in the United States Armed Forces seeing action in Korea as a paratrooper and earning both a Silver Star and a Purple Heart, and in addition was an accomplished motorcycle rider and circus stunt performer.
His movie breakthrough came at age 33, in the low budget Tom Laughlin biker movie The Born Losers (1967). With his menacing looks, Tessier was never short of on screen work, often turning up in several movies a year playing gang leaders, bikers and other murderous thugs. He appeared alongside 'Burt Reynolds' on three occasions in The Longest Yard (1974), Hooper (1978) and The Cannonball Run (1981). Alternately, he was equally busy on television appearing in popular series including Starsky and Hutch (1975), Magnum, P.I. (1980), The Fall Guy (1981) and The A-Team (1983). Undoubtedly, Tessier's most well remembered role was that of grinning, head-butting street fighter Jim Henry in the Charles Bronson film Hard Times (1975).
Tessier formed "Stunts Unlimited" with fellow noted stunt performers Hal Needham, Glenn R. Wilder and Ronnie Rondell Jr.. Robert Tessier passed away aged 56 from cancer on October 11, 1990.- Actress
- Producer
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Suzzanne Douglas is an award-winning actress of both screen and stage, whose work has led her through all walks of creative life. Driven by her desire to constantly grow as an artist, Suzzanne has developed a canon of enigmatic and complex roles, and hopes to encourage younger artists to do the same.
Her theater credits include Dorothy Brock in "42nd Street" at the Drury Lane Theaterm Mertreuil in the Baltimore Center Stage Theater's production of "Les Liaisons Dangereuses", and Kendra in George Street Playhouse's "American Son." Other theater credits include "The Tap Dance Kid", "Night in Tunisia", "Julius by Design", "The Drowning Crow", "Crowns" (NAACP Image Award for Best Ensemble), "Women of Brewster Place", and Arthur Laurent's "Hallelujah, Baby!", which he re-wrote especially for her. Suzzanne was also the first African-American to play the role of Dr. Bearing in the Pulitzer-Prize-winning play "Wit" at the George Street Playhouse.
On television, she is best known for her co-starring role with Robert Townsend in the long-running Warner Brothers sitcom "The Parent 'Hood", which is in syndication in most markets. She has also appeared in such highly acclaimed shows as CBS' "Bull" with Michael Weatherly, "The Good Wife", "Bones", and "Law & Order" ("SVU" and "Criminal Intent"). Suzzanne has also brought her numerous talents to the big screen. Her filmography runs the gamut from made-for-television, to independent, to mainstream cinema including "Whitney", "How Stella Got Her Groove Back" (Black Oscar, NAACP Image Award Nominee), "School of Rock", "The Inkwell", "Jason's Lyric", "Tap" (NAACP Image Award), the ABC remake of the classic "Sounder" (Black Reel Award, NAACP Image Award Nominee), "Black N' Blue", "Happy Yummy Chicken"--for which she wrote the title track, and "Changing the Game", which was selected for the prestigious Cannes Film Festival.
As a producer, Suzzanne won the award for Best Short film at the Hollywood Black Film Festival awards for "The Last Weekend." She co-produced Theresa Rebeck's Love on the Rocks starring Julie White.
Suzzanne's vocal talents have taken her from Broadway, starring opposite Sting in "The Threepenny Opera", to the concert halls of Russia with Jon Faddis. A singer and composer, Suzzanne performs regularly with her trio, performing music from the American Songbook as well as her original compositions. She has traveled and performed with many renowned musicians including Nate Adderley, Don Braden, T.S. Monk, Helen Sung, Stanley Turrentine, Gene Harris, and Kenney Burrell.
Suzzanne earned a Bachelor of Arts degree at Illinois State University and a Master in Music degree at the Manhattan School of Music. She is a dedicated patron of the arts and an advocate for teaching artistic expression in the educational system. Through this, she hopes to engage and empower individuals and their communities. Suzzanne is a former board member at George Street Playhouse, and a current member of the Artistic Board at Luna Stage in West Orange, NJ. She is a lifetime member of Girl Scouts of America, The National Council of Negro Women, Sigma Alpha Lambda, and Jack and Jill of America, Inc. She is an Honorary Member of Delta Sigma Theta Sorority, Inc. where she serves on its National Board.- Actress
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Character actress Shirley Booth could play everything in all facets of show business, whether it was Miss Duffy the Tavern Owner's Man Crazy Daughter on "Duffy's Tavern", the sassy maid on TV's Hazel (1961) or the pathetic woman in Come Back, Little Sheba (1952). For those who only know her through her sitcom, it might be hard to believe she was a seasoned theatrical veteran, having appeared on Broadway from 1925-70. She was highly regarded as a stage actress and ranks as one of the premier talents of the 20th-century theatre.- Actress
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Thespian Betty Field was born in Boston on February 8, 1916, the daughter of a salesman and his wife. Ancestors on her father's side were Mayflower colonists Priscilla and John Alden. Her parents divorced while she was still young and Betty eventually learned to speak Spanish while traveling with her mother to various Spanish-speaking countries during her childhood. Mother and daughter settled in Newton, Massachusetts, after the mother remarried. Betty's passion for the theatre was sparked during her early teens and by 1932 she was enrolled at the American Academy of Dramatic Art. She made her professional debut in a 1933 summer stock production of "The First Mrs. Fraser" and soon was cast in stage roles elsewhere. She even found work in a London theater production of "She Loves Me" in early 1934.
Rather plaintive in appearance with flat but highly distinctive tones, Betty's Broadway debut came about as an understudy in the comedy "Page Miss Glory" in November of 1934, courtesy of George Abbott, in which Betty also had a minor role. Therafter she performed frequently in the comedy mold, and in the service of Abbott, with such delightful plays as "Three Men on a Horse (1935), "Boy Meets Girl" (1936) "Room Service" (1937) and "The Primrose Path (1939), and earning fine reviews for the last two.
After seeing her performance on stage as Henry Aldrich's girlfriend Barbara in "What a Life" (1938), Paramount executives utilized her services when they transferred What a Life (1939) to film. The studio not only liked what they saw but signed her to a seven-year contract. Throughout the 1940s Betty appeared in a variety of leading ingénue and co-star roles. The important part of Mae, the farm girl, in John Steinbeck's classic Of Mice and Men (1939) starring Burgess Meredith and Lon Chaney was an early highlight, although it didn't provide her the necessary springboard for stardom. Part of the problem was that the rather reserved actress tended to shun the Hollywood scene (she still lived quietly with her mother).
While performing for Abbott again on Broadway in "Ring Two" (1939), Betty met the show's playwright Elmer Rice and the couple married in 1942. Their three children, John Alden, Judith and Paul, would appear on occasion with their mother on the summer stock stage. Betty also enhanced husband Rice's plays "Flight to the West" (1940) and "A New Life" (1943), which were designed especially for her.
Betty offered consistent, quality work even when the movies she appeared in met with less-than-stellar reviews. She was afforded the opportunity to work with some of Hollywood's finest leading men, including Fredric March in Victory (1940) and Tomorrow, the World! (1944), John Wayne in The Shepherd of the Hills (1941), Robert Cummings in Flesh and Fantasy (1943) and Joel McCrea in The Great Moment (1944). Tops on the list was her heart-tugging performance as the anguished daughter victimized by father Claude Rains in the classic soaper Kings Row (1942).
She purposely did not renew her Paramount contract at this point and, following another sterling performance in The Southerner (1945), took a long break from camera work. Back on Broadway, she appeared in such distinguished plays as "The Voice of the Turtle" and her husband's "Dream Girl" (Rice also directed) for career sustenance. She won the New York Drama Critics Circle award for the latter in 1946. Her Hedvig in Ibsen's "The Wild Duck" was also critically lauded.
An isolated return to Paramount to play what should have been a career highlight ended up a major disappointment,. While her Daisy Buchanan in F. Scott Fitzgerald's The Great Gatsby (1949) had mixed reviews (some felt she was miscast and not glamorous enough for the part), the movie itself (which was extensively trimmed) and her underwhelming co-star Alan Ladd were also cited as problems. Still a marquee value on Broadway, however, she displayed great range in such fare as "Twelfth Night", "The Rat Race", "Peter Pan" (taking over for Jean Arthur), "The Fourposter" (she and Burgess Meredith replaced Jessica Tandy and Hume Cronyn) and "Ladies of the Corridor"
Betty's soulful features took on a hardened, careworn veneer by the time she returned to Hollywood in the mid-1950's. Nevertheless, she had a "Field" day as a character player appearing in a number of drab, dressed-down roles. She lent credence to a number of fascinatingly flawed small-town moms and matrons in films, among them cream-of-the-crop hits Picnic (1955), starring Kim Novak, Bus Stop (1956) with Marilyn Monroe and Peyton Place (1957) headlining Lana Turner and Hope Lange. The stage plays "The Seagull", "Waltz of the Toreadors", "Touch of the Poet" and "Separate Tables" also accentuated this newly mature phase of her career.
TV took up a large percentage of Betty's time in the 1950s and 1960s with a number of showcase roles. She continued at a fairly steady pace but without much fanfare (as she preferred). Divorced from Rice in 1956, she married and split from lawyer and criminologist Edwin J. Lukas before settling down permanently with husband/artist Raymond Olivere in 1968. Betty's swan song in films was a small, featured part in Clint Eastwood's Coogan's Bluff (1968) as a floozie type, looking noticeably older than she was. Mixing in such stalwart, brittle roles on stage as Amanda in "The Glass Menagerie" and Birdie in "The Little Foxes", she made one of her last theater appearances in the difficult role of the mother in "The Effect of Gamma Rays on "Man-in-the-Moon Marigolds" in 1971.
Betty suffered a fatal cerebral hemorrhage in Hyannis, Massachusetts in 1973, just as she was about to leave and film The Day of the Locust (1975). Cast in the flashy role of "Big Sister", an evangelist, her part was taken over by Geraldine Page. At age 57, Hollywood lost a somewhat undervalued talent who enjoyed the work more than the stardom that often accompanied it.- Actor
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Gene Rayburn was born on December 22, 1917, in Christopher, Illinois. After his father died at a very young age, his mother moved to Chicago and married Milan Rubessa, and Gene adopted his stepfather's name. As Gene Rubessa, he acted in high school plays and hoped to follow an acting career. He moved to New York City in the 1930s where he was a page for NBC, later working as an usher for the NBC symphony orchestra. Before World War Two, he went to announcers school and worked with various radio personalities around New York City. He married Helen Tricknor, in 1940, with whom he had one child, Lynn, in 1942. Soon afterwards, he was called to Military Service and joined the U.S. Air Corps. After the war, Gene worked on the "Rayburn and Finch Show" and, later, the "Gene Rayburn Show" in the early fifties. During the 50s, Rayburn was instrumental in highlighting corruption on radio, by playing an older song so many times that it became a hit. This was alleged to have proved that record promoters could pay DJs to play records on stations for bribes, making the songs very popular, albeit for a price. His breakthrough came in the mid-50s as the announcer on The Tonight Show (1953), with Steve Allen. Rayburn and Allen were associated on The Tonight Show (1953) Show for three years and Rayburn became a household name for many years after that. In 1955, he hosted his first game show called The Sky's the Limit (1954). Subsequent game shows included The Match Game (1962), Make the Connection (1955), Musical Chairs (1954), Play Your Hunch (1958), Tic Tac Dough (1956) and Dough Re Mi (1960). He always flew by jet from his home in Massachusetts to host his various shows. Rayburn was also a Broadway performer, and appeared in plays such as "Bye, Bye Birdie"- Charles Nelson Reilly was his understudy. He also had a small part in the movie, It Happened to Jane (1959).- Cinematographer
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- Camera and Electrical Department
Gordon Willis was an American cinematographer. He's best known for his work on Francis Ford Coppola's Godfather films, as well asWoody Allen's Annie Hall (1977) and Manhattan (1979).
His work on the first two Godfather films turned out to be groundbreaking in its use of low-light photography and underexposed film, as well as in his control of lighting and exposure to create the sepia tones that denoted period scenes in The Godfather Part II (1974).
In the seven-year period up to 1977, Willis was the director of photography on six films that received among them 39 Academy Award nominations, winning 19 times, including three awards for Best Picture. During this time he did not receive a single nomination for Best Cinematography.
He directed one film of his own, Windows (1980). His last film as a cinematographer was The Devil's Own (1997), directed by Alan J. Pakula.
Willis died of cancer on May 18, 2014, ten days before his 83rd birthday, at the age of 82.- Actor
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A show-stopping comic for decades, the inimitable Arnold Stang, with the trademark Runyonesque voice and thick, black glasses, started out famously on radio before branching out to include Broadway, films and especially TV. Born on September 28, 1918, in New York City (for decades he himself perpetuated the myth of being born in 1925 in Chelsea, Massachusetts), he was the son of a lawyer. Following the 1929 stock market crash, his father was forced to look elsewhere for work and managed a living as a salesman. The scrawny kid from Manhattan grew up in Brooklyn and attended New Utrecht High School.
During his teen years (early 1930s) he auditioned for and won roles on radio's "Horn and Hardart's Children's Hour," a variety show, and the kiddie program "Let's Pretend," which set off a two-decade stint as one of radio's most popular vocal personalities. His squawky, unmistakable voice was heard as Jughead in the "Archie Andrews" series and as neighbor Seymour Fingerhood on the beloved, Bronx-styled Gertrude Berg classic "The Goldbergs," among others. He even appeared in radio soap operas and mysteries on occasion, often providing comedy relief. A reliable and feisty second banana, he traded quips with the best of them: Eddie Cantor; Jack Benny; Fred Allen; Fanny Brice; Milton Berle, you name it.
In between radio work Stang could sometimes be seen on the stage, his first legitimate play being on Broadway with the short-lived "All In Favour" (1942). This was followed by "You'll See Stars" at the end of that same year. He subsequently moved from radio to TV with the help of Milton Berle in the late 1940s and eventually found a very comfortable niche in comedy as a foil to the big stars. On the satirical Henry Morgan's Great Talent Hunt (1951), he was a regular member of Henry Morgan's stock company as a nerdy teen named Gerard. Plain, plucky but rather sad-sack, his puny-looking nerd types (5'3" and not much over 100 pounds) seemed to beg to have sand kicked in their faces. Yet, as much as they could be pushed around, they often displayed stubborn, delinquent-like streaks and could be mighty pesky in nature and irritating to the nth degree.
Stang also lent his vocal talents quite successfully to cartoon voiceovers beginning with Popeye the Sailor's pal Shorty. He later moved into a lengthy hitch as "Hoiman" the mouse in Paramount's popular "Herman and Katnip" series, but his best known animal character, of course, came later with the title role in Joseph Barbera - William Hanna 1961 classic cartoon series Top Cat (1961). His playing of "T.C", the slick, smart-alecky, Brooklynesque mastermind behind a gang of alley cats, was very reminiscent of Phil Silvers' Sgt. Bilko character from The Phil Silvers Show (1955).
Film work for Stang would be very sporadic over the years providing secondary but stalwart support in such escapism as Seven Days' Leave (1942), My Sister Eileen (1942), Let's Go Steady (1945), Two Gals and a Guy (1951) and the all-star epic It's a Mad Mad Mad Mad World (1963). Stang's best featured part was a rare dramatic role opposite Frank Sinatra in the then-daring topical movie about drug addiction entitled The Man with the Golden Arm (1955). Here he played Frank Sinatra's seedy but loyal pal Sparrow, a role that easily could have influenced Dustin Hoffman when he created his Ratso Rizzo character a decade and a half later in Midnight Cowboy (1969).
From the 1950s, the bespectacled comedian would be a steadfast TV commercial spokesman pitching such products as Delco, Chunky candy ("Chunky...what a chunk o' chocolate!") and Orkin ("Stop squawkin', call Orkin!") using his own, unique style. As for the stage, a few of his later stints included the 1969 Broadway remake of "The Front Page," the role of Hysterium in a production of "A Funny Thing Happened on the Way to the Forum," and a part in Woody Allen's "Play It Again, Sam". The owlish comedian continued acting into the 90s with small roles in such movies as Ghost Dad (1990) and Dennis the Menace (1993).
Long married (since 1949) to wife JoAnn Taggart, a writer, Stang died of pneumonia at age 91 in Newton, Massachusetts, just before Christmas in 2009. He was also survived by his two children, David Donald and Deborah Jane.- Chris Rebello was born on 8 August 1963 in Oak Bluffs, Massachusetts, USA. He was an actor, known for Jaws (1975). He was married to Lyn Wadsworth. He died on 30 November 2000 in Oak Bluffs, Massachusetts, USA.
- Joe Di Reda was born on 16 September 1928 in Worcester, Massachusetts, USA. He was an actor, known for The Andromeda Strain (1971), Mike Hammer (1958) and The Untouchables (1959). He was married to Rita Dubois Astrella, Adele Palacios and Elsie J Hartmann. He died on 16 June 2007 in Worcester, Massachusetts, USA.
- Nick Lashaway was born on 24 March 1988 in Washington, District of Columbia, USA. He was an actor, known for The 40-Year-Old Virgin (2005), In Time (2011) and The Last Song (2010). He died on 8 May 2016 in Framingham, Massachusetts, USA.
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Harold John Russell was born in Nova Scotia in 1914. His family moved to Cambridge Massachusetts when his father died in 1919. He was training paratroopers at Camp MacKall NC on June 6, 1944 when some TNT he was using exploded in his hands. He lost both hands. After receiving hooks, and training on them, he was chosen to make an Army training film called "Diary Of A Sergeant". William Wyler saw the film and decided to cast him in The Best Years of Our Lives (1946). Harold Russell played Homer Parish. For this role he received 2 Oscars, a Best Supporting and one for being an inspiration to all returning veterans. He is the only actor to receive 2 Oscars for the same role. After the movie he attended Boston University. He later went on to help establish AMVETS as a viable alternative to the American Legion for veterans, though his dream of an international veterans organization was never realized. He later appeared in Inside Moves (1980) and Dogtown (1997). He lived with his wife on Cape Cod in Massachusetts. He wrote 2 biographies: "Victory In My Hands" (1947) & "The Best Years Of My Life" (1981).- Paul D'Amato was born in 1948 in Worcester, Massachusetts, USA. He was an actor, known for Slap Shot (1977), Suspect (1987) and The Deer Hunter (1978). He was married to Bertine Colombo. He died on 19 February 2024 in East Brookfield, Massachusetts, USA.
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Patricia Stevens was born on 16 September 1945 in Linden, New Jersey, USA. She was an actress, known for Dynomutt Dog Wonder (1976), M*A*S*H (1972) and Crimes of Passion (1984). She was married to Jess Nadelman. She died on 26 May 2010 in Rutland, Massachusetts, USA.- Ben Powers was born on 5 July 1950 in Brooklyn, New York City, New York, USA. He was an actor, known for The New Mike Hammer (1984), Good Times (1974) and The Greatest American Hero (1981). He was married to Julia Harper. He died on 6 April 2015 in New Bedford, Massachusetts, USA.
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Al Capp (born Alfred Gerald Caplin) was an American cartoonist and humorist from New Haven, Connecticut. He is primarily known for creating the comic strip "Li'l Abner" (1934-1977), which depicted the lives of a fictional clan of hillbillies in an impoverished mountain village. At its prime the strip had 60 million readers in more than 900 American newspapers, and was also reprinted in 28 foreign countries. Capp won the National Cartoonists Society's Reuben Award in 1947 for Cartoonist of the Year. He posthumously won their 1979 Elzie Segar Award, for his "unique and outstanding contribution to the profession of cartooning".
In 1909, Capp was born in New Haven, Connecticut to a family of Latvian Jews. His parents were Otto Philip Caplin (1885-1964) and his wife Matilda Davidson (1884-1948). Their respective families had migrated from Latvia to the United States in the 1880s, in order to escape pogroms in the Russian Empire. Capp grew up in poverty, and had several younger siblings. His brothers Elliot and Jerome went on their own careers as cartoonists, while his sister Madeline became a publicist.
In August 1919, Capp was run down by a trolley car. He had his left leg amputated above the knee, and awoke from a days-long coma to discover that he was missing a limb. Capp was eventually given a prosthetic leg, and adopted a slow way of walking. His childhood tragedy reportedly led him to develop a darker worldview, and a more sardonic sense of humor than other cartoonists of his time. Capp's father was an amateur cartoonist, and introduced his son to drawing as a form of therapy. Capp studied the art styles of the illustrator Phil May, and the then-popular comic strip cartoonists Billy DeBeck, Rudolph Dirks, Tad Dorgan, Rube Goldberg, Milt Gross, George McManus, Fred Opper, and Cliff Sterrett.
Capp attended Bridgeport High School in Bridgeport, Connecticut, but never gained a high school diploma. In adult life, he claimed that he kept failing his geometry class. Capp subsequently wished to become a professional cartoonist, and took classes in three different art schools: the Boston Museum School of Fine Arts, the Pennsylvania Academy of Fine Arts, and the Designers Art School (located in Boston). He was kicked out of all three for nonpayment of tuition. Due to his impoverished background, Capp had trouble in financing his education.
In early 1932, Capp hitchhiked his way to New York City. He settled himself in Greenwich Village, and supported himself by drawing advertising strips for a meager fee. By March 1932, Capp had been hired as a cartoonist by the Associated Press. He was disappointed that they wanted him to take over "Colonel Gilfeather", a comic strip created by Dick Dorgan, instead of allowing him to create his own strip. He revamped the strip, but eventually grew fed up with the task. Capp left the Associated Press in September 1932, and left New York City as well. He temporarily moved back to Boston, in order to marry his girlfriend Catherine Wingate Cameron. They had met as classmates in an art class.
In 1933, Capp moved back to New York City in search of a job. He reportedly only had about 5 dollars in his pocket during his return. He was hired as a ghost writer and ghost artist for the boxing-theme comic strip "Joe Palooka", while Ham Fisher remained the strip's sole credited writer. In an early story arc for this strip, Capp introduced a new character. He was Big Leviticus, an oafish mountaineer. He turned out be a crude prototype for Lil'Abner.
While still working as a ghost writer, Capp had started developing ideas about a comic strip focused on depicting mountain-dwellers. During his teen years, Capp had hitchhiked his way through rural West Virginia and the Cumberland Valley. He believed that the locals could inspire a decent strip. Capp sold "Li'l Abner" (the new strip) to the United Feature Syndicate, and was hired as its main artist. The strip was launched on August 13, 1934, printed on only 8 different newspapers. The strip soon became much more successful, because Capp had a talent for creating outlandish characters and bizarre situations. He also included both black humor and social commentary into his stories.
Until 1934, Capp still used his real name when signing a strip. His syndicate asked him to start using a simpler name which could fir into fit into a cartoon frame. He chose Al Capp as his professional name, and had his name changed legally in 1949. Capp eventually created sub-series for his comic strip, which satirized other comic strip. The most successful of these parodies was Fearless Fosdick (1942-1977), a parody version of "Dick Tracy".
Besides the popular "Li'l Abner", Capp went on to create two other comic strips. He co-created "Abbie an' Slats" (1937-1971). The strip's protagonist duo were the spinster Abigail "Abbie" Scrapple and her orphaned cousin Aubrey Eustace "Slats" Scrapple, sharing a household. Capp remained the strip's main writer from 1937 to 1945, but was then replaced by his brother Elliot Caplin. The strip was syndicated to about 400 newspapers, but never became the major hit that Capp had hoped for. Capp then went on to co-create "Long Sam" (1954-1962), featuring a tall and attractive mountain girl as a protagonist. The strip is considered an example of "good girl art" in comics, art focusing on attractive young women in skimpy or form-fitting clothing. While briefly popular in its own right, this strip faced frequent changes in writing staff which led to an early cancellation.
During the 1950s, Capp was an outspoken liberal, and satirized politician Joseph McCarthy for (in his words) "terrifying the helpless and naive". During the 1960s, Capp's favorite targets for satire included campus radicals, hippies, and counterculture icons. He harshly criticized militant antiwar demonstrators and student political groups. Capp started being viewed as reactionary by the public at large, though he vocally supported struggles for racial equality and gay rights.
In 1972, Capp was arrested in Wisconsin on charges of "attempted adultery", as adultery was a felony in this state. He was accused of propositioning a married woman. The resulting negative publicity led to hundreds of newspapers dropping his comic strip. The popularity of "Li'l Abner" further declined over the following years, largely due to a perceived decline in Capp's own humor. Capp was in poor health at the time, and he was not as inventive as he once was. Capp announced his retirement on November 13, 1977, publicly admitting that he had stayed on longer than he should have.
In November 1979, Capp died from emphysema at his home in South Hampton, New Hampshire. His illness was caused by a lifetime of chain smoking, and he was 70-years-old at the time of his death. Capp was buried in Mount Prospect Cemetery in Amesbury, Massachusetts. Capp was posthumously inducted into the Will Eisner Award Hall of Fame in 2004. Since his death in 1979, Al Capp and his work have been the subject of more than 40 books, including three biographies.- Jeff Burton was born on 28 March 1924 in Worcester, Massachusetts, USA. He was an actor, known for Planet of the Apes (1968), Black Hooker (1974) and Coffy (1973). He died on 18 January 1988 in Boston, Massachusetts, USA.
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Puppeteer, actor, musician, and master of voices, Jerry Nelson originally joined Henson & Company as a temporary replacement for Frank Oz, who had been drafted into the armed services in the 60's. He later re-joined the crew as a full-time performer in the 70's, and has since been heavily involved in almost every major Muppet project, including Sesame Street (1969), The Muppet Show (1976), Fraggle Rock (1983) and feature films. Memorable characters include "The Count", "Herry Monster", "Mumford the Magician", "Robin the Frog", "Crazy Harry" and "Gobo". Come the late 1990s, Nelson has begun to focus more on his musical career but continues his involvement in The Muppets.- An American character actor who specialized in "average joes", often timid or down-on-their-luck, Louis Jean Heydt was born in Montclair, New Jersey, and educated at Worcester Academy and Dartmouth College. He intended a career in journalism and worked as a reporter for the old New York World, but developed an interest in acting and landed a number of roles on the New York stage (active there from 1927-48). In the mid-'30s he traveled to Hollywood and quickly established himself as a reliable supporting player. He played dozens of roles in many fine films including Gone with the Wind (1939), They Were Expendable (1945) and The Big Sleep (1946), and although his face is exceptionally familiar to viewers of that period's films, his name never quite broke through. He remained a pleasant presence in scores of films of the 1940s and 1950s while continuing to work on the stage and on television. He died backstage at the Colonial Theatre in Boston during an out-of-town try-out performance of the play "There Was a Little Girl" in 1960.
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- Additional Crew
Richard N. Goodwin was born on 7 December 1931 in Boston, Massachusetts, USA. He was a writer and producer, known for Quiz Show (1994), The Hinge of the World and 1968: A Crack in Time (1978). He was married to Doris Kearns Goodwin and Sandra Gail Leverant. He died on 20 May 2018 in Concord, Massachusetts, USA.- Writer
- Director
McDowell was born in Enterprise, Alabama. According to his biography in the 1985 edition of Toplin, McDowell lived in Medford, Massachusetts. He also maintained a residence in Hollywood with his sister Ann and adventurer-filmmaker Peter Lake. The biography described a typical day: McDowell "writes in the mornings and spends the rest of the day looking out of the window in hope that something interesting will happen" and "collects photographs of corpses". He specialized in collecting photographs of train-decapitation victims and plaques from baby caskets. McDowell's life partner of 30 years was the theatre historian and director Laurence Senelick. McDowell died in 1999 in Boston, Massachusetts from AIDS-related illness. His unfinished novel Candles Burning was "completed" by Tabitha King, wife of Stephen King, and published in 2006.- Ross Hill was born on 11 April 1973 in Munich, Germany. He was an actor, known for They Call Me Renegade (1987), The World of Don Camillo (1984) and Aktuelle Schaubude (1957). He died on 15 January 1990 in Stockbridge, Massachusetts, USA.
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- Sound Department
One of the lesser remembered but quite active child actors during the 30s and 40s was Jackie Moran. Born in 1923, he was a tyke model placed into films as a teen, often cast as a feisty street orphan. David O. Selznick took an interest in the gangly, fair-haired lad and cast him as Huckleberry Finn in The Adventures of Tom Sawyer (1938) and in Since You Went Away (1944), not to mention a bit part in his epic classic Gone with the Wind (1939). Jackie made a solid appearance in the Buck Rogers (1939) serial in which he played young Buddy, who co-piloted the giant dirigible along with Buster Crabbe's titular hero. In the 40s Jackie played in a number of youth-oriented programmers, none particularly memorable, though he did create the role of teenager Jimmy Forrest in a mildly popular series of be-bop musical comedy romps that included Junior Prom (1946), Freddie Steps Out (1946), and High School Hero (1946). He retired from acting in 1947 and became interested in screen writing and public relations work. He died at 67 of cancer in 1990.- Petite American character actress who was celebrated for her definitive portrayal of long-suffering Linda Loman in Arthur Miller's "Death of a Salesman", a part she played opposite Lee J. Cobb at the Morosco Theatre for 742 consecutive performances between 1949 and 1950. Mildred recreated her role for the screen the following year and was nominated for an Academy Award as Best Supporting Actress, critic Bosley Crowther describing her performance as 'simply superb'. Ironically, Dunnock had not been the first choice for the part for either Miller, or the director, Elia Kazan.
Mildred Dunnock first came to the realisation that she had the potential to perform in public when called upon to read in front of her assembled classmates at Western High School. She quickly discovered that, above all, she had 'a voice'. Her initial training was served at Agora, the dramatic society of Baltimore's Goucher College. After graduation she continued her studies at Columbia, completing a master's degree in theatre arts. She first appeared in college productions at John Hopkins University, her debut being a part in "Penelope" by W. Somerset Maugham in 1924. She had to wait another eight years before making her debut on Broadway in "Life Begins", at the same time earning a crust teaching at a private girl's school. The 1930's were a period of struggle and hardship for the actress and not until the following decade did she gain recognition for her performances in "King Richard II", "Foolish Notion" and "The Corn is Green". One of her biggest hits was as Lavinia Hubbard in Lillian Hellman's "Another Part of the Forest" (1946-47). Going from strength to strength, Mildred followed her triumph in 'Salesman' with a tour-de-force performance in the Tennessee Williams play "Cat on a Hot Tin Roof" (1955-56), originating the role of 'Big Mama'.
Mildred absented herself from the theatre for several years to act in films. Near the beginning of her motion picture career, she was the frail old lady in a wheelchair (in real life she was in her forties) pushed down a flight of stairs by psychopathic killer Tommy Udo (Richard Widmark, in his screen debut) in Kiss of Death (1947).
With her finely etched features and sad, all-knowing eyes, Mildred excelled in equal measure at playing eccentric spinster aunts, understanding wives and mothers, her slight frame belying a powerful, intense presence. In Elia Kazan's Baby Doll (1956), she enacted the relatively small part of simple-minded, perpetually timorous Aunt Rose Comfort with such conviction, that she garnered her second Academy Award nomination (losing to Dorothy Malone for Written on the Wind (1956)). She then appeared as a compassionate teacher (her first real-life profession) in Peyton Place (1957), as the exemplary Sister Margharita in The Nun's Story (1959), and, against type, as Gig Young's glacial and avaricious mother in The Story on Page One (1959). In this, Mildred demonstrated her versatility in a chilling portrayal of motherly domination and ostensible virtue turned to vice.
Dunnock's film roles in the 1960's included two films with Geraldine Page: Sweet Bird of Youth (1962), as another gentle-mannered aunt, and What Ever Happened to Aunt Alice? (1969), as Page's housekeeper and eventual murder victim. As film roles diminished, she appeared on television and returned to stage work, particularly at the Long Wharf Theater in New Haven, acting in plays by Tennessee Williams and Eugene O'Neill. In 1971, she received the Drama Desk Award for Outstanding Performance for her starring role in "A Place Without Doors" by Marguerite Duras. The much-respected actress spent her final years in relative seclusion at Martha's Vineyard, Massachusetts, and died there of age-related problems in July 1991. A teaching theatre at Goucher College is named in her honour. - Actor
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Larry Holden was born on 15 May 1961 in Framingham, Massachusetts, USA. He was an actor and director, known for Memento (2000), Batman Begins (2005) and My Father's House (2002). He was married to Hanne Kristiansen and Leigh Ann Pope. He died on 13 February 2011 in Orange, Massachusetts, USA.- John Fitzgerald Kennedy Jr. was born on November 25, 1960, in Washington, DC, to John Fitzgerald Kennedy (President-to-be John F. Kennedy) and Jacqueline Lee Bouvier Kennedy (Jacqueline Kennedy). Three weeks before his birth, his father was elected President of the United States, and the nation loved little John. The press dubbed him "John-John", but his family called him John. Even as a toddler, he loved to fly. On his third birthday, his father was buried, and he was photographed giving his father's casket a salute in a photo and video seen around the world. About a month later, they moved out of the White House and into a 15-room apartment overlooking Central Park in New York City. He went to private schools. When he was six, his uncle Robert F. Kennedy was assassinated while running for president. He had been a father figure to John and his sister, Caroline Kennedy, a fact that Ethel Kennedy -- who had nine children with RFK -- did not like. That same year, Jackie married Greek shipping magnate Aristotle Socrates (Ari) Onasis (Aristotle Onassis). He virtually played no part in John's life because John hardly saw him. Ari died in 1975. John went on to high school and then decided to go to Brown University in Rhode Island. He graduated and, after his mother said no to his becoming an actor, went to law school and became an assistant District Attorney. In 1994, Jackie died of non-Hodgkin's lymphoma. In 1996, John married Carolyn Bessette-Kennedy on an island off Georgia. She was very shy, and that did not bode well because they were constantly being photographed. On July 16th, 1999, Carolyn and her sister Lauren, with John as pilot, took off in his plane for Martha's Vineyard, Massachusetts, to drop Lauren off, with John and Carolyn continuing onward to the Kennedy Compound for the wedding of his cousin Rory Kennedy (Robert's youngest daughter, born after RFK's death). It was foggy, and several miles off Martha's Vineyard, the plane crashed, killing all three of them. The bodies of the women were found near the wreckage, but John's body was found in the pilot's seat.
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Buck Jones was one of the greatest of the "B" western stars. Although born in Indiana, Jones reportedly (but disputedly) grew up on a ranch near Red Rock in Indian Territory (now Oklahoma), and there learned the riding and shooting skills that would stand him in good stead as a hero of Westerns. He joined the army as a teenager and served on US-Mexican border before seeing service in the Moro uprising in the Philippines. Though wounded, he recuperated and re-enlisted, hoping to become a pilot. He was not accepted for pilot training and left the army in 1913. He took a menial job with the Miller Brothers 101 Ranch Wild West Show and soon became champion bronco buster for the show. He moved on to the Julia Allen Show, but with the beginning of the First World War, Jones took work training horses for the Allied armies. After the war, he and his wife, Odelle Osborne, whom he had met in the Miller Brothers show, toured with the Ringling Brothers circus, then settled in Hollywood, where Jones got work in a number of Westerns starring Tom Mix and Franklyn Farnum. Producer William Fox put Jones under contract and promoted him as a new Western star. He used the name Charles Jones at first, then Charles "Buck" Jones, before settling on his permanent stage name. He quickly climbed to the upper ranks of Western stardom, playing a more dignified, less gaudy hero than Mix, if not as austere as William S. Hart. With his famed horse Silver, Jones was one of the most successful and popular actors in the genre, and at one point he was receiving more fan mail than any actor in the world. Months after America's entry into World War II, Jones participated in a war-bond-selling tour. On November 28, 1942, he was a guest of some local citizens in Boston at the famed Coconut Grove nightclub. Fire broke out and nearly 500 people died in one of the worst fire disasters on record. Jones was horribly burned and died two days later before his wife Dell could arrive to comfort him. Although legend has it that he died returning to the blaze to rescue others (a story probably originated by producer Trem Carr for whatever reason), the actual evidence indicates that he was trapped with all the others and succumbed as most did, trying to escape. He remains, however, a hero to thousands who followed his film adventures.- Eugene O'Neill, the winner of four Pulitzer Prizes for Drama and the 1936 Nobel Prize for Literature, is widely considered the greatest American playwright. No one, not Maxwell Anderson, Tennessee Williams, Arthur Miller, nor Edward Albee, approaches O'Neill in terms of his artistic achievement or his impact on the American theater.
James O'Neill, one of the most popular actors of the late 19th century, was his father, so one could say that Eugene O'Neill was born to a life in the theater. His father, who had been born into poverty in Ireland before emigrating to the United States, developed his craft and became a star in the theaters of the Midwest. He married Mary Ellen "Ella" Quinlan, the Irish-American daughter of a wealthy Cleveland businessman, whose death when she was a teenager had hurt her emotionally. She remained emotionally fragile throughout her life, a condition exacerbated by a further tragedy, the loss of a child. A further strain was placed on her when it was discovered that James had lived in "concubinage" with a common-law wife who later sued him for child support and alimony, claiming he had fathered her child. Both were pious and believing Catholics.
They had three sons, including James Jr. (born 1878) and Edmund (1883), who died at the age of two from measles, leaving Ella distraught. Their last son, Eugene Gladstone O'Neill (his middle name a salute to the British prime minister who was in favor of home rule for Ireland), was born at the Barrett Hotel (home of many theatrical artistes) in New York City, on October 16, 1888. Supposedly, it was a difficult delivery, and in the spirit of the times, Ella was given morphine for her pain. She became an addict.
James O'Neill made a fortune playing The Count of Monte Cristo, both on Broadway in multiple productions and as a touring show. However, he suffered an artistic death as a performing artiste through the sheer repetition of the Monte Cristo role, which he turned to repeatedly as it always proved a success. He reportedly played the role at least 4,000 times, perhaps nearly twice that number. He would provide the prototype for the character of James Tyrone, the pater familias in his son's "Long Day's Journey Into Night". James O'Neill Sr. knew that he had suffered artistically from his commercial instincts, and Eugene never forgot that. His son remained steadfast in his own fidelity to his principles of artistic integrity.
The father also was a notorious skinflint, terrified that some unforeseen calamity would throw him back into the hellish poverty of his childhood in Ireland. Both young Gene and his older brother Jamie tried their hands at acting, and though Jamie was more successful than Gene, he never developed a significant, independent career as a professional thespian due to instability caused by his alcoholism. Jamie relied on his father for work, which further fueled his drinking.
Jamie was a full-blown alcoholic, just like his younger brother, Gene, and he drank himself to death at a relatively young age, a fate Gene managed to avoid, but not from lack of trying. The characters of Jamie in "Long Day's Journey Into Night" and James Tyrone Jr. in "A Moon for the Misbegotten" were based on him.
As a young man, Eugene suffered from tuberculosis, which likely exacerbated his propensity for pessimism (the stuff of his life became the guts of his last masterpiece, "Long Day's Journey Into Night"). His pessimistic, tragic outlook on life likely was hereditary: O'Neill's two sons, Eugene O'Neill Jr. and Shane O'Neill, became substance abusers as adults: Eugene Jr. was an alcoholic and Shane was a heroin addict. Both committed suicide. He disowned his daughter Oona Chaplin, for marrying Charles Chaplin, who was just six months younger than O'Neill himself. He had never had much to do with her anyway, nor any of his children. His life was devoted to writing.
After recovering from tuberculosis, O'Neill attended Princeton for the 1907-08 term, but was kicked out after his freshman year, allegedly for being drunk and disorderly at a reception held by the university president, future President of the United States Woodrow Wilson. For the next eight years he led a freebooting existence, fortune-hunting for gold in South America and plying the seas as an able-bodied seaman, while trying to drink himself to death (he even made an attempt at suicide). Eventually he returned to New York City and tried his hand at playwriting, and with the financial help of his father, studied playwriting at Harvard in 1915. His father was unimpressed by the results, and died the same year his son made his big breakthrough on Broadway (he did live to see the production of Eugene's first full-length play, "Beyond the Horizon", which opened on February 2, 1920 and ran for a then-impressive 111 performances, and its honoring with the 1920 Pulitzer Prize for Drama that May. James O'Neill Sr. died on August 10, 1920. His namesake, James O'Neill Jr., died three years later, at the age of 45.)
Where Eugene truly learned his craft was in the writing of one-act melodramas that dealt with the lives of sailors, that were performed by the Provincetown Players, which had theaters in Provincetown on Cape Cod and off of Washington Square in New York City (John Ford made a 1940 movie out of four of his sea plays, collected in The Long Voyage Home (1940)). The theater he created was a reaction against the theater of his father, the old hoary melodramas that packed them in for a night of crowd-pleasing entertainment.
Eugene started out as a dramatist at a time when there was an average of 70 plays being performed on Broadway each week. The Great White Way resembled a modern movie multiplex in that potential theatergoers would peruse the various marquees in and around Times Square seeking an entertainment for the night. At the time O'Neill began to establish himself, in pre- and post-World War I era, entertainment was first and foremost in most people's minds.
The movies and O'Neill would change that. The competition of the more sophisticated movies of the late silent era, and then the talkies, usurped the position of Broadway and the theater as the premier venue for American entertainment. The light plays that were the equivalent of television fare became extinct. Musicals continued to thrive, as did comedies, but drama became more serious and developed a psychological depth. O'Neill was the midwife of the phenomenon.
Eugene O'Neill helped foster the maturation of American drama, as he incorporated the techniques of both European expressionism and realism in his work. Influenced by Henrik Ibsen and August Strindberg, brought to the American stage a tragic vision that influenced scores of American playwrights that followed.
Eugene O'Neill died in the Shelton Hotel in Boston, Massachusetts, in 1953. Allegedly, his last words were, "Born in a hotel room, and goddammit! Died in one!" His health had been hurt by his alcoholism and he suffered from Parkinson's disease-like tremors of his hands that had made it difficult, if not impossible, to write since the early 1940s. It is believed that he suffered cerebellar cortical abiotrophy, a neurological disease in which certain neurons in the cerebellum of the brain die off, adversely affecting the balance and coordination of the sufferer. As a dramatist, he had flourished on Broadway from 1920, when his first full-length work, "Beyond the Horizon", debuted, winning him his first Pulitzer, until 1934, when his first and only comedy, Ah, Wilderness! (debut October 1933) came to an end that June and his play, "Days Without End," was staged in repertory between January and November). After 1934, he entered a cocoon, staying away from Broadway until after World War II, when the 1946 production of "The Iceman Cometh" debuted. The first production of "Iceman" failed, and O'Neill's reputation suffered, but the 1956 production of "Iceman" starring Jason Robards and directed by José Quintero was a great success, as was the posthumous production of "Long Day's Journey Into Night", which brought O'Neill his fourth Pulitzer. The two plays solidified his legend. - Actor
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Jim Bouton was born on 8 March 1939 in Newark, New Jersey, USA. He was an actor and writer, known for The Long Goodbye (1973), How Do You Know (2010) and Ball Four (1976). He was married to Paula Kurman and Bobbie Bouton-Goldberg. He died on 10 July 2019 in Berkshires, Massachusetts, USA.- Nancy Frangione was born on 10 July 1953 in Barnstable, Massachusetts, USA. She was an actress, known for Another World (1964), One Life to Live (1968) and All My Children (1970). She was married to Christopher Rich. She died on 18 August 2023 in Centerville, Massachusetts, USA.
- George Morgan was born on 17 November 1932 in Worcester, Massachusetts, USA. He was an actor, known for M*A*S*H (1972), The Wide World of Mystery (1973) and Chafed Elbows (1966). He died on 18 October 2022 in Chilmark, Massachusetts, USA.
- Louise Lorimer was born on 14 July 1898 in Boston, Massachusetts, USA. She was an actress, known for Flying Cadets (1941), Compulsion (1959) and The Prowler (1951). She died on 11 August 1995 in Newton, Massachusetts, USA.
- Michael Baseleon was a busy American actor who debuted in the theater before becoming a regular on television. He was featured or guest-starred in some 90 television series and TV movies (including The Bold Ones: The New Doctors (1969), Ironside (1967), Police Woman (1974), Barnaby Jones (1973), Police Story (1973), Flamingo Road (1980), CHiPs (1977), The Greatest American Hero (1981), and The A-Team (1983)). He did not appear in many feature films, but two of these (Uptight (1968) and The Grissom Gang (1971)) stood out whilst another (A Man Called Horse (1970)) became a cult classic. Baseleon died at age 61 in 1986 after suffering a heart attack.
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Donald Buka was born on 17 August 1920 in Cleveland, Ohio, USA. He was an actor, known for The Street with No Name (1948), One Step Beyond (1959) and Tales of Tomorrow (1951). He was married to Suzanne Marie (Fischer) Sinaiko, Joy Weber and Irene Maskell Mitchell. He died on 21 July 2009 in Reading, Massachusetts, USA.- Actress
- Soundtrack
Juanita Quigley was born on June 24, 1931 in Los Angeles. At age 3, she began appearing in films in small roles as an extra child; these parts were often uncredited, but when Quigley did receive credit, it was under the name "Baby Jane." Her career changed when she played Baby Jessie Pullman in Imitation of Life (1934). The role made her famous, and in her very next film, The Man Who Reclaimed His Head (1934), she was given a large part and received fourth billing (still credited as "Baby Jane"). Over the next several years she had starring roles in many popular films. Around 1935, she dropped the pseudonym "Baby Jane" and began being credited by her real name. By 1938, she was one of the most famous child stars in Hollywood. But Quigley's career slowed down in the early 1940s; she was given smaller roles and appeared only as an extra in The Blue Bird (1940), Bachelor Daddy (1941), and Paper Bullets (1941). In 1943, she acted alongside her older sister, Rita Quigley, in Whispering Footsteps (1943). She made her last notable performances in 1944, in The Lady and the Monster (1944) and the classic film National Velvet (1944), in which she played the sister of Elizabeth Taylor and Angela Lansbury. Quigley left Hollywood in 1951. As an adult, she became a nun in the order of the Daughters of Mary and Joseph, but after several years in her convent, she decided that she had made a mistake, left the vocation, and married. In 1983, Quigley made her last film appearance as an uncredited extra in Porky's II: The Next Day (1983).- Kent Damon was born on 18 August 1942 in the USA. He was an actor, known for Stuck on You (2003). He was married to Celeste Kent and Nancy Carlsson-Paige. He died on 14 December 2017 in Massachusetts, USA.
- Alma McPeck was born on 6 May 1942 in Boston, Massachusetts, USA. She was married to Mark Conroy and Donald E. Wahlberg Sr.. She died on 18 April 2021 in Plymouth, Massachusetts, USA.
- Actress
- Soundtrack
Jessie Ralph was a sailor's daughter, who first came to the stage at the age of 16, performing with a stock company in either Boston, Massachusetts, or Providence, Rhode Island (accounts differ). The year was 1880, and it took Jessie another 26 years to make her debut on the Great White Way in "The Kreutzer Sonata". Already a seasoned actress, she enjoying third billing. Her screen career started with one and two reelers as early as 1915, but her proper entry into Hollywood did not come about until 1933.
For more than 20 years, plump, down-to-earth Jessie made her reputation as a character actress on Broadway playing an assortment of nurses, maids and aunts. She was used in musicals by George M. Cohan and acted in Shakespearean roles, from "Twelfth Night" to "Romeo and Juliet". She was nurse to Jane Cowl's Juliet in the 1923 play which ran for an unprecedented 174 performances and co-starred Eva Le Gallienne and Katharine Cornell (amazing, when considering that the star was already 39 years old!). Like other successful actresses of the stage, Jessie was brought to Hollywood to reprise a Broadway hit role, in this case her Aunt Minnie in Child of Manhattan (1933).
After half a lifetime in the theatre, Jessie's sojourn in Hollywood was relatively brief but marked by a series of memorable performances. She was the definitive incarnation of the endearing nurse Peggotty in David Copperfield (1935) and played Greta Garbo's loyal maid Nanine in Camille (1936). She was the matriarch of the Whiteoaks of Jalna (1935), an adaptable society matron in San Francisco (1936) and harridan of a mother-in-law to W.C. Fields, Hermisillo Brunch, in The Bank Dick (1940). Whether in comedy or drama, as a Chinese aunt in both stage and screen versions of The Good Earth (1937), or a kindly sorceress in The Blue Bird (1940), Jessie gave consistently good value for money. The New York Times review of October 12, 1935, wrote of her performance in I Live My Life (1935): "Jessie Ralph as the tyrannical head of the family, proves again that she is the best of the screen grandmothers".
Jessie retired from acting in 1941 after having a leg amputated and died three years later.- Peter Robinson was born the son of Norwegian immigrants. He stated that during his childhood, he had a normal appearance until his early teens when his weight began to drop rapidly. He first went on exhibition in 1895, working at Coney Island and later Ringling Bros. and Barnum & Bailey Circus.
Robinson was married twice, both times to circus fat ladies. He married "Sweet Adaline" la France, his co-star in the Blue Ribbon Show in 1914. At the time of their marriage in Troy, New York, Pete (then known as "The Cigarette Fiend") was just 49 pounds and Adeline was 600. In fact, she was too large to enter the courtroom, so the judge performed the ceremony in the hallway. They honeymooned in Niagara Falls, but the marriage did not last.
In 1916, while with Ringling Bros. and Barnum & Bailey Circus. 37-year old, 58 lb. Robinson married for the second time at Madison Square Garden to 18-year-old Helen "Bunny" Smith (1898-1951). a 467-pound Coney Island fat lady. Bunny later related that he had been involved with no fewer than eight fat women before he married her. In their circus act, Pete played to a patriotic audience during World War I by claiming that Bunny had tried to fatten him up with her cooking so he could serve in the Army, although in reality he was too old for the service.
Apparently, over the years, the two were "married" over and over again for circus promotions purposes, and as an example, here is an article from the Indiana Evening Gazette dated November 26, 1924, eight years after they were originally married:
"The living skeleton has married the fat lady. Pete Robinson, who is 45 years old and weighs 58 pounds soaking wet, and Baby Bunny Smith, aged 23, weight 467, got the necessary papers and were married in the Municipal Building. The bridegroom wore a striped shirt, one stripe on each side. The witnesses were Mr. and Mrs. Bernard Harris, in whose home the bride and bridegroom have occupied rooms. Living skeletons have been marrying fat ladies in circuses ever since Barnum had a show. The romance of Baby and Pete started in a Barnum & Bailey show eight years ago. Mrs. Harris said to reporters after giving the newlyweds her blessing, 'I never had easier people to feed. They are wonderful. She makes up for what he leaves. And he makes up for what she doesn't do. They are certainly ideally suited.'"
Pete and Bunny seemed to find true love together, as friends reported that they were quite devoted to each other, and eventually had two children. They entertained crowds with a comical couples' dance on the Coney Island sideshow stage called Dreamland, and in 1928, Pete toured with a revue called "A Night at Coney Island," which performed at vaudeville theaters around the country, a rare experiment in those days.
Robinson only screen appearance was in Tod Browning's Freaks (1932) as a circus performer who is overjoyed as he celebrates the fact that his wife, the Bearded Lady (Olga Roderick) has just given birth to their child, who is also bearded. By all accounts, his character in the film, the chatty, good-natured fellow who plays poker in the back of the tent and celebrates his baby's birth with a round of fine cigars, was not much of a stretch for Pete. He was a jovial man who loved to stubbornly argue about politics, and was rumored to be a classically trained Shakespearian actor and an expert harmonica player.
Pete Robinson died in 1947 at the age of 72.